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FADO E-LIST (September 2006)
INDEX
1. CALL FOR SUBMISSIONS: TAAFI
Deadline: September 15, 2006; Source: Instant Coffee
2. CALL FOR SUBMISSIONS: "Sleep is for Dead People 2" Whippersnapper Gallery
Deadline: September 20, 2006; Source: Instant Coffee
3. RESIDENCY: Künstlerstätte Schloss Bleckede (Germany)
Deadline: September 23, 2006; Source: ARTSERVIS #213
4. CALL FOR GIFTS: "GIFT/BACK" Unreasonable Adults (Australia)
Deadline: September 25 - 29, 2006; Source: Unreasonable Adults
5. CALL FOR PROPOSALS: "IDEA.2007" (Hong Kong)
Deadline: October 1, 2006 (Proposals/presentations) & October 15, 2005 (Performances); Source: International Drama/Theatre and Education Association
6. CALL FOR SUBMISSIONS: "Seconds :: the imperfect artwork" Wexford Arts Centre (Ireland)
Deadline: ctober 6, 2006; Source: Aileen Lambert
7. CALL FOR PROPOSALS: "CHAMPS D’INTÉRÊT : infiltrer, habiter, spéculer" Le 3e impérial (Granby)
Deadline: October 15, 2006; Source: Le 3e impérial
8. CALL FOR SUBMISSIONS: "Edgy Women" Studio 303 (Montréal)
Deadline:October 15, 2006; Source: Studio 303
9. CALL FOR PROPOSALS: SAGAMIE (Alma)
Deadline: October 20, 2006; Source: SAGAMIE
10. CALL FOR PROPOSALS: "Artist as Activist" (Japan)
Deadline: October 25, 2006; Source: Yoshinori Niwa
11. CALL FOR ENTRY: Artist-in-Residence Program (Kitchener)
Deadline: November 3, 2006; Source: Akimbo
12. CALL FOR SUBMISSIONS: Espace Vidéographe 2007-2008 Programming (Montréal)
Deadline: November 3, 2006; Source: Espace Vidéographe
13. CALL FOR SUBMISSIONS: 50 YEARS OF CONCRETE POETRY (Uruguay)
Deadline:November 10, 2006; Source: Clemente Padin
14. CALL FOR SUBMISSIONS: "Hanging Around" Off limits festival (Germany)
Deadline: November 15, 2006; Source: on the move Newsflash 08/2006
15. CALL FOR SUBMISSIONS: aluCine Toronto Latin@ Media Festival
Deadline: January 15, 2007; Source: aluCine
16. CALL FOR PARTICIPANTS: "The 15th Performance Art Conference: NYEPI" - E. P. I. Zentrum (Bali)
Deadline: not given (Event Date: March 20, 2007); Source: Boris Nieslony
17. RESIDENCY: "TAOH Residency" (Norway)
Deadline: not indicated Source: Tou Scene
18. WORKSHOPS: Fiona Griffiths
Dates: September 23 - October 3, 2006; Source: Fiona Griffiths
19. EVENT: "Trust Us, We're Artists" 14th Annual Junction Arts Festival
Source: Milena Placentile
20. MEETING: Status of the Artist legislation in Ontario
Date; September 21, 2006; Source: ARCCO
21. NEWS: McGill-Queen's University Press launches Radical Gestures: Feminism and Performance Art in North America
Source: McGill-Queen's University Press
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1. CALL FOR SUBMISSIONS: TAAFI
Deadline: September 15, 2006; Source: Instant Coffee
The Toronto Alternative Art Fair International Collective, this year is made up of Andrew Harwood, John McLachlin, Will Munro and Pamila Matharu as a consultant.
TAAFI will take place from November 10 - 12, 2006 at the Drake and Gladstone Hotels.
The Collective juries all exhibitors. We rent rooms at the rate of $1600 + gst $96 + hotel tax (%5) $80 = Total $1776. We have had a lot of enquiries for our room rentals a fee of $150 will be charged as damage deposit at time of rental.
* We encourage you to apply as soon as possible.
TAAFI is also looking for several performance art proposals for our Invitational program, which pays an artist fee. Other visual art categories for the fair have been curated - do not submit proposals for anything but, performance. Submission process - please submit (small sized) jpgs (or short video clips of performance) on disc up to 15 images and a proposal of works to be exhibited. Email submissions will also be reviewed.
Extended Deadline is September 15, 2005 & results will be announced September 30, 2006.
Applicants please send packages to:
Andrew Harwood
TAAFI Collective
994 Queen Street West
Apt 2
Toronto, ON
M6J 1H1
Or email andrew@taafi.org
For further information or interest in sponsoring TAAFI please call: 416-537-3814
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2. CALL FOR SUBMISSIONS: "Sleep is for Dead People 2" Whippersnapper Gallery
Deadline: September 20, 2006; Source: Instant Coffee
Whippersnapper Gallery is currently accepting submissions for its 24 Hour Art show that will be taking place Saturday Sept 30th 2006, 7pm – 7pm. Contributing artists will be asked to create work at Whippersnapper during this 24 hour period, and an Opening party will be held immediately afterwards.
Please send 3-5 samples of your work, and a short one paragraph proposal of what you would like to create during the 24 Hour Event. Works created will be featured in a 2 week group exhibition that will run until October 15th.
All mediums will be considered for the show. Selected artists must pay a $50 exhibition fee, and will receive 100% commission for the sale of the work. Performance artists can exhibit for free, but must still submit a proposal.
Submission Deadline: Wednesday September 20th 2006.
Please e-mail submissions to
submissions@whippersnapper.ca
* note jpegs must be small enough to be viewed in an email
or mail them to
c/o Patrick Struys
42 Lakeview Ave
Toronto, ON
M6J 2B3
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3. RESIDENCY: Künstlerstätte Schloss Bleckede (Germany)
Deadline: September 23, 2006; Source: ARTSERVIS #213
Since 1979 the Künstlerstätte Schloss Bleckede has been seeking to promote young artists who explore innovative positions in the field of contemporary art. Today artists, whose work addresses complex aesthetic, cultural or political issues, rarely find the necessary support to realize their ambitious projects.
This is why the Künstlerstätte Schloss Bleckede wishes to offer these artists the opportunity to develop their work in the course of a residential scholarship of three or six months.
The Künstlerstätte Schloss Bleckede offers ideal working conditions. The historic remise of the castle of Bleckede has been restored and transformed into three studios, each of which provides an extensive work space and a comfortable living area. The castle is located in the nature reserve Elbufer Drawehn close to the river Elbe. The placid environment guarantees an atmosphere of undisturbed concentration.
The scholarship includes a monthly grant of Euro 1.400,- , which is made available for up to three scholarship holders at any one time, by the state of Lower Saxony.
The city of Lüneburg is not far away. Here the innovative programme of exhibitions and events staged by the Kunstraum of the University of Lüneburg and the Halle für Kunst Lüneburg e.V. allows the participation in the contemporary art world. If required, the facilities of the cultural studies-course at the University of Lüneburg might be used.
The residential scholarship will be awarded on recommendation of a jury of art professionals.
Since 2001 Bleckede has been publishing small booklets about the artists in residence and their works.
Deadline: 23/09/06
Contact:
Landkreis Lueneburg
Fachdienst Schule und Kultur
Auf dem Michaeliskloster 4
D-21335 Lueneburg
Germany
tel: +49-4131-26-1360
fax: +49-4131-26-2360
sabine.koempel-weigelt@landkreis.lueneburg.de
http://www.lueneburger-elbtalaue.de/kuenstler...
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4. CALL FOR GIFTS: "GIFT/BACK" Unreasonable Adults (Australia)
Deadline: September 25 - 29, 2006; Source: Unreasonable Adults
ELECTROFRINGE & PERFORMANCE SPACE
(in association with This Is Not Art & Octapod Association) present:
UNREASONABLE ADULTS : GIFT/BACK
Unreasonable Adults is a hybrid performance/media collective who will be undertaking an 'audience project' residency project - GIFT/BACK: Newcastle - generating material in response to solicited and unsolicited information/objects from the public as part of the 2006 Electrofringe.
They'd like to receive gifts in the form of text, sound, video, song or film requests, demands, second-hand clothes, objects and wigs. They will give back in the form of live performance, projections, sound/songs and online material.
Please visit our website now for online and postal submission details:
http://unreasonableadults.va.com.au
From the 25th September you will be able to view images, listen to audio and read/watch the URA video-blog. Daily submissions will be anonymously listed and displayed at a shopfront hub in Newcastle and on the Unreasonable Adults website. At the end of the residency, they will be opening the doors to the shopfront for 2 nights (Saturday 30th Sept & Sunday 1st October) showing the works made in response to people's gifts.
This will be our gift back to you.
UNREASONABLE ADULTS
In Newcastle: Caroline Daish, Kerrin Rowlands, Jason Sweeney. Julie Vulcan
Cat Jones / Sumugan Sivanesan / Ben Byrne
Co-Directors, Electrofringe20 06
A festival of digital, electronic, new media and experimental culture
September 28 - October 2
Newcastle New South Wales
http://www.electrofringe.net
EGROUP - http://groups.yahoo.com/group/electrofringe/
Electrofringe is part of the annual This Is Not Art a festival of independent, emerging and experimental arts & media. Featuring Electrofringe, National Young Writers' Festival, Sound Summit, National Student & Emerging Media Conference, Earthling and Critical Animals.
www.thisisnotart.org
Supported by The Octapod Association www.octapod.org
3/231 King St NEWCASTLE NSW 2300 AUSTRALIA
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5. CALL FOR PROPOSALS: "IDEA.2007" (Hong Kong)
Deadline: October 1, 2006 (Proposals/presentations) & October 15, 2005 (Performances); Source: International Drama/Theatre and Education Association
IDEA.2007, the 6th World Congress for Drama/Theatre and Education, will be held in summer 2007 Hong Kong. This is not only a golden opportunity in facilitating international exchange, but also helps to flourish our own local development in drama/theatre education, by encouraging more research into theory and practice, better documentation, more reflective practice and experimentation in a wider scope of works.
plAnting humAn ideAsÅEglObal visiOn in lOcal knOwledge --- The theme in this 6th IDEA Congress is literally and symbolically expressed through its titles: We need to cultivate the human mind, heart and soul in everyone of us, not only be infused with professional knowledge and innovative artistry in different specialized contexts, but also woven by visionary, communicative and culturally empathetic eyes, ears and skin.
Congress date: July 16-22, 2007
For more details, please visit the IDEA.2007 website at <http://www.idea2007.hk>http://www.idea2007.hk .
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6. CALL FOR SUBMISSIONS: "Seconds :: the imperfect artwork" Wexford Arts Centre (Ireland)
Deadline: ctober 6, 2006; Source: Aileen Lambert
Wexford Arts Centre invites Irish and international artists working in all art forms, to respond to the idea of failure, to consider how they deem an artwork a success, and how they decide when a work is finished or not. Seconds is an exhibition of multiples, which explores the idea of the faulty or imperfect artwork. Works of all formats will be considered including performance, artists&Mac226; books, video, sound, food, clothing and drawing.
Artists selected by the open submission process, as well as invited artists, will exhibit their work at Wexford Arts Centre, Wexford, Ireland, from the 2nd to 23rd December 2006. A website for the exhibition will profile all the works online.
Artists must complete an application form. Closing date for receipt of applications is Friday 6th October. For application form and full brief please email <mailto:info@wexfordartscentre.ie>info@wexfordartscentre.ie or call +353 (0)53 9123764. Floor plans and photographs of the exhibition space are also available upon request. Seconds :: the imperfect artwork is curated by Aileen Lambert.
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7. CALL FOR PROPOSALS: "CHAMPS D’INTÉRÊT : infiltrer, habiter, spéculer" Le 3e impérial (Granby)
Deadline: October 15, 2006; Source: Le 3e impérial
APPEL DE PROPOSITIONS
Programme de résidence et d’art public
Sélection des projets de résidence d’avril 2007 à août 2008
SOUMISSION DE DOSSIERS LE 15 OCTOBRE 2006
«CHAMPS D’INTÉRÊT : infiltrer, habiter, spéculer»
Hors pistes et à contre-courant des usages, énoncer les virtuosités potentielles d‘un art de proximité sans domicile fixe, se disperser tout terrain pour élargir le diamètre de sa cible. Habiter dans et avec, et surtout, hors des lieux-communs. Voici le territoire devenu champ d‘intérêt spéculatif.
Nous invitons les artistes en art actuel à venir explorer les zones sensibles du territoire humain et géographique dans le contexte d’une résidence de cinq semaines réparties en deux ou trois temps, dépendant des besoins logistiques du projet proposé. Le projet de résidence doit inclure la conception et la réalisation d’une oeuvre d’art public. Par «art public», nous entendons une variété de pratiques infiltrantes : installation in situ, manoeuvre, intervention performative, interactive, etc., pouvant prendre place dans des espaces publics, des terrains vagues ou tout espace habité ou habitable visant ou incluant des micro-communautés. Toutes les saisons sont à explorer : hiver, printemps, été, automne.
Nous offrons :
- Cachet de résidence et droits de diffusion
- Hébergement
- Espace de travail individuel de 50 m2
- Mise en contexte locale
- Documentation et édition
- Accès aux équipements:
- Atelier de menuiserie
- Outils tout-terrain
- Base informatique
- Appareils audio-visuels
- Centre d'information (documentation en art actuel)
Faites parvenir:
- Une proposition de projet
- Une brève description de vos besoins techniques
- Une proposition d’agenda de travail (2007-2008 - juillet exclus)
- Un aperçu de l’évolution de votre démarche artistique
- Un dossier de presse
- Un curriculum vitae
- Une documentation visuelle
- Une enveloppe de retour affranchie
Le 3e impérial est un centre d’essai en art actuel qui allie à la résidence d'artiste, la production, la diffusion et la mise en contexte de l'art sur un territoire signifiant tout en favorisant l'émergence de nouvelles pratiques d'art public qui infiltrent l'environnement géographique et social, urbain et rural. Depuis sa fondation en 1984, le 3e impérial loge dans l'ex-usine Imperial Tobacco au coeur d'une région caractérisée par le dynamisme des échanges féconds entre agriculture et industrie. C'est dans ce terreau que se conjuguent les processus d'un art public tout terrain qui se téléscope dans les espaces urbains et ruraux.
3e impérial
164, rue Cowie, Granby, Québec, J2G 3V3
T : 450 372 7261
3eimperial@3e-imperial.org
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8. CALL FOR SUBMISSIONS: "Edgy Women" Studio 303 (Montréal)
Deadline:October 15, 2006; Source: Studio 303
[version française suit]
Edgy Women has blossomed into a three-week international Festival in 2006. Commemorating International Women's Month, the Festival aims to bring awareness of the complexity of postmodern feminist art, without over-intellectualizing the issues at hand. The programming encourages both politics, and brash playfulness in art, and provides an excellent opportunity for audiences to see content-driven performance work by women.
Works can be up to an hour long, but there is more space for short works (under 15 minutes). Seeking performances from all disciplines as well as films/videos to complete the programming for Studio 303’s Edgy Women Festival.
Festival schedule: March 2007 (Dates to be confirmed)
Deadline for submissions: October 15th, 2006
What to submit:
-MANDATORY: application form available at http://www.studio303.ca/work_edgy_e.html;
-an up to date bio & CV (max. 2 pages);
-a video of the piece. If a video of the proposed work is not available, the applicant should - include a sample of recent work;
-a project description (max 1 page) explaining how this piece suits the event.
Edgy Women /_Studio 303
372 Ste-Catherine Ouest.
Montréal, QC
H3B 1A2
Questions? Feel free to email us : info@studio303.ca
***
Le Studio 303 est à la recherche de performances de toutes disciplines incluant films et vidéos pour compléter la programmation du festival Femmes au-delà. Les œuvres proposées seront d'une durée maximale de 15 minutes. Cependant, les œuvres d'une plus longue durée seront également considérées.
Devenu un festival international en 2006, l'événement Femmes au-delà met l'accent sur les performances interdisciplinaires et éclatées de femmes artistes. Les œuvres présentées, quelle qu'en soit la discipline, sont caractérisées par une théâtralité innovatrice et un contenu engagé.
Horaire du festival : mars 2007 (dates à confirmer)
Date limite pour proposer sa candidature : 15 octobre 2006
Les candidatures devront comprendre :
-OBLIGATOIRE: formulaire d'application téléchargeable au http://www.studio303.ca/work_edgy_f.html
- un CV actualisé;
- un enregistrement du projet (videocassette ou CD selon l'événement pour lequel vous appliquez). Si un enregistrement de votre projet n'est pas disponible, vous pouvez inclure un échantillon du plus récent projet;
- une courte description du projet (max. 1 page) expliquant en quoi votre travail est relié à l'événement pour lequel vous appliquez.
Edgy Women / Studio 303
372 Ste-Catherine Ouest.
Montréal, Qc
H3B 1A2
Des questions ? N'hésitez pas à nous contacter à info@studio303.ca
Studio 303
Danse et arts indisciplinés
Dance & Related Arts
372 Ste-Catherine Ouest
Montréal Qc H3B 1A2
Tel. : (514) 393-3771
http://www.studio303.ca/
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9. CALL FOR PROPOSALS: SAGAMIE (Alma)
Deadline: October 20, 2006; Source: SAGAMIE
[version française suit]
The Centre de diffusion SAGAMIE invites artists and curators to present their solo, two-person, or group EXHIBITION PROJECTS.
The gallery is open to all contemporary-art practices ad encourages research projects that develop innovative reflection on the digital medium. The centre would like to support, in particular, projects that generate fertile interfaces between large-format digital prints and various creative contexts of contemporary art, including installation, performance, outdoor interventions, relational art, photography, painting, printing, and hybrid and cross-disciplinary practices.
The SAGAMIE Centre&Mac226;s intention is to support artists in the development of new creative projects thanks to its large-format digital-print laboratory and the technical expertise of its creative assistants.
The SAGAMIE Centre will produce publications accompanying these exhibition projects, thus contributing to the documentation and comprehension of contemporary art. These publications will be published in small editions using the centre&Mac226;s digital-printing and binding equipment.
The SAGAMIE Centre is also interested in having the exhibitions produced at the centre go on tour. Artists and curators are therefore invited to share with us the possibilities for collaboration with other exhibition centres with which they connected.
The centre will pay particular attention to proposals by emerging artists (under 35 years of age).
The centre will offer the RAAV/CARFAC honorarium to artists.
The exhibition hall is 30 x 50 feet in area. It has four museological exhibition systems measuring 6' x 9' x 19". Halogen lighting and 11' ceilings.
THE PROPOSAL MUST INCLUDE:
CV, artistic approach, description of exhibition project
Visual documentation: small images (about 5x7" at 72 dpi) on CD for Macintosh; slides; or other.
A self-addressed stamped envelope if you wish the proposal to be returned
Please indicate if you are under 35 years old.
For more information, contact Nicholas Pitre, director: sagamie@cgocable.ca (418) 662-7280
Deadline for receipt of projects: October 20, 2006
Founded in 1981, SAGAMIE is a centre for artistic inquiry and production specializing in large-format digital printing and digital image manipulation in contemporary art. The centre&Mac226;s principal activity is providing artists&Mac226; residencies, complemented by special activities for exhibitions, theoretical reflection, training, and publication. Thus, the centre offers artists, curators, and theorists conditions conducive to artistic inquiry and creativity, theoretical reflection, and exhibition of unprecedented works of art and texts situated within a continuum whose goal is to make significant contributions to new artistic discourses around the contemporary digital arts.
SAGAMIE
THE NATIONAL RESEARCH AND EXHIBITION CENTRE FOR CONTEMPORARY DIGITAL ART
50, St-Joseph, C.P. 93, Alma, (Québec), G8B 5V6, téléphone et télécopie : (418) 662-7280
sagamie@cgocable.ca <http://www.sagamie.com/>http://www.sagamie.com/
***
PROJETS D'EXPOSITION
Appel de dossier
Date limite 20 OCTOBRE 2006
Le Centre de diffusion SAGAMIE invite les artistes et les commissaires à présenter leur PROJET D&Mac226;EXPOSITION solo, duo ou en groupe.
La galerie est ouverte à l'ensemble des pratiques en art actuel et favorise les projets de recherche qui développent une réflexion novatrice sur le médium numérique. Le centre entend supporter particulièrement les projets qui génèrent des interfaces fécondes entre l'imprimé numérique grand format et différents contextes de création en art actuel que ce soit l'installation, la performance, les interventions en extérieur, l'art relationnel, la photographie, la peinture, l'estampe, les pratiques hybrides et transversales, etc.
Le Centre SAGAMIE souhaite accompagner les artistes dans le développement de nouveaux projets de création grâce à son laboratoire d'impression numérique grand format et l'expertise technique de ses assistants de création.
Le Centre SAGAMIE produira des publications accompagnant ces projets de diffusion apportant ainsi une contribution à la documentation et la compréhension de l'art actuel. Ces publications seront tirées en micro édition à l'aide des équipements d'impression numériques et de reliure du centre.
Le Centre SAGAMIE est également intéressé à faire circuler les expositions qui seront produites au centre. Les artistes et les commissaires sont donc invités à nous faire part des possibilités de collaborations avec d'autres centres d'expositions avec lesquels ils sont en relation.
Le centre portera une attention particulière aux propositions des artistes émergents (moins de 35 ans).
Le centre offre le cachet RAAV/CARFAC aux artistes.
La salle d&Mac226;exposition mesure 30 X 50 pieds. Elle est munie de 4 cimaises muséologiques de 6pi. X 9pi. X 19 po. Éclairage halogène et plafonds à 11 pieds.
LE DOSSIER DOIT COMPRENDRE :
Le CV, la démarche artistique, une description du projet d&Mac226;exposition
La documentation visuelle : petites images (environ 5 X 7 po. à 72 dpi) sur CD pour Mac; diapositives ou autre.
Une enveloppe de retour pré-affranchie si le retour du dossier est souhaité
S.V.P. indiquez si vous avez moins de 35 ans.
Pour de plus amples informations, contactez Nicholas Pitre, directeur : sagamie@cgocable.ca (418) 662-7280
Réception des dossiers : 20 OCTOBRE 2006
Fondé en 1981, SAGAMIE est un centre de recherche et de production spécialisé en impression numérique grand format et traitement numérique de l'image en art actuel. L'activité principale du centre est orientée vers la résidence d&Mac226;artiste à laquelle viennent se greffer des activités spéciales de diffusion, de réflexion théorique, de formation et de publication. Le centre offre ainsi aux artistes, commissaires et théoriciens des conditions propices à la recherche, à la création, à la réflexion théorique et à la diffusion d'oeuvres et de textes inédits qui s&Mac226;inscrivent dans un continuum visant à contribuer de façon significative aux nouveaux discours artistiques entourant les arts contemporains numériques.
SAGAMIE
LE CENTRE NATIONAL DE RECHERCHE ET DIFFUSION EN ARTS CONTEMPORAINS NUMÉRIQUES
50, St-Joseph, C.P. 93, Alma, (Québec), G8B 5V6, téléphone et télécopie : (418) 662-7280
sagamie@cgocable.ca <http://www.sagamie.com/>http://www.sagamie.com/
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10. CALL FOR PROPOSALS: "Artist as Activist" (Japan)
Deadline: October 25, 2006; Source: Yoshinori Niwa
INTERNATIONAL PERFORMANCE ART EVENT 2007
"Artist as Activist"
October, 2007
Deadline :October 25th,2006
Please download the guidline of PDF at http://www.niwa-staff.org/aaproject.html
We'd like to invite artists or artist group to international performance art event "Artist as Activist" which will take place in Tokyo in middle October 2007.The aim of event is to create new relationship to society and the city of Tokyo. With cultural deference we can discovery how to live with others together. We welcome any type of action art and project art, Not only live performance at the gallery, but also off-site action in the street or public space. Of course it is depend on your proposal. As an artist and As an activist, we want to create new scene of action art. Unfortunately we cannot offer you travel expense and any finance support. We don't return your proposal material.
There are following 3 sections;
A : City project: All of projects in the public space or the street are welcome.
B : Live Performance art: New performance works are welcome.
C : Video screening of performance art: Documentations of performance art or Project art. (Should be on DVD)
Proposal should include;
Contact information
Proposal project description(Please choose one section)
-Title
-Description of the project
-Duration
-Equipment requirement
-Space requirement
-Technical assistant
-Other requirement
C.V./Resume/Short statement
Support Material(DVD,CD-ROM,Catalog,etc.)
Digital Photo data of proposal works on CD-R(if possible,350 high solution)
!! Don't send original works!!
Send to:
AA project team
c/o Yoshinori Niwa
5-7-11-101,Himonya,Meguro-ku,Tokyo,1520003,JAPAN
Artist as Activist (AA Project team)
niwa@niwa-staff.org
http://www.niwa-staff.org/aaproject.html
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11. CALL FOR ENTRY: Artist-in-Residence Program (Kitchener)
Deadline: November 3, 2006; Source: Akimbo
City of Kitchener Artist-in-Residence 2007 program
Guidelines and Forms available by calling Cheryl York, Arts/Culture, Community Services Department, City of Kitchener at 519 741-3400 Extension 3381, or e-mail <mailto:cheryl.york@kitchener.ca>cheryl.york@kitchener.ca
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12. CALL FOR SUBMISSIONS: Espace Vidéographe 2007-2008 Programming (Montréal)
Deadline: November 3, 2006; Source: Espace Vidéographe
[version française suit]
Espace Vidéographe, the programming division of Vidéographe, invites artists and curators to submit proposals for video programs and media-arts exhibitions. Every year Espace Vidéographe presents between seven and nine activities (five to seven programs, one or two exhibitions), in different venues, and in partnership with other cultural organizations.
Projects can be submitted once a year and are reviewed by a programming committee. We welcome proposals from emerging curators and artists as well as established ones.
We encourage proposals that provoke thought on the language of video and its modes of representation, encourage debate, and promote exchanges between different media-arts practices and between local and international production.
SUBMISSIONS MUST INCLUDE:
- Project description
- Artistic statement
- List of works to be programmed by curators
- List of technical resources (equipment) supplied by artists
- List of technical requirements for exhibition
- Artists’ and/or Curators’ CVs
- Visual, Sound or Web Documentation with descriptive list of works
(accepted formats:VHS, DVD, miniDV, NTSC and PAL;CD-ROM, DVD-ROM)
- List of the project’s venues if applicable
- Press kit if available
-Self-addressed stamped envelope
DEADLINE: FRIDAY, NOVEMBER 3, 2006
Projects will be evaluated by the programming committee in December 2006.
Espace Vidéographe
Att: Sylvie Roy
460 Sainte-Catherine West, Suite 504
Montreal, Quebec, CANADA H3B 1A7
Phone: (514) 866-4720
www.videographe.qc.ca
***
APPEL DE DOSSIERS
L'Espace Vidéographe, secteur programmation de Vidéographe, invite les artistes et les commissaires à soumettre leurs projets de programmations vidéo et d’installations dans le domaine des arts médiatiques. Sur un mode nomade, l’Espace Vidéographe diffuse annuellement entre 7 et 9 activités (5 à 7 programmations, 1 à 2 installations), dans différents lieux à Montréal, en collaboration avec plusieurs organismes culturels.
Les projets sont déposés une fois l’an par le biais d’un appel de soumission et sont évalués par un comité de programmation. Les propositions d’artistes et de commissaires émergents sont bienvenues au même titre que celles provenant d’artistes et de commissaires établis.
Sont encouragées les propositions qui stimulent une réflexion sur le langage vidéographique et ses modes de représentation ; qui incitent au débat d’idées; qui favorisent les échanges entre les pratiques en arts médiatiques, entre la production locale et internationale.
PRESENTATION DU DOSSIER
- Description du projet
- Démarche artistique
- Liste détaillée des œuvres proposées par les commissaires
- Liste des ressources techniques fournies par les artistes (équipements)
- Liste des besoins techniques nécessaires à la diffusion du projet
- CV des artistes et/ou des commissaires
- Documentation visuelle / sonore / web et liste descriptive des œuvres proposées
(supports acceptés :VHS, DVD, miniDV, NTSC et PAL; Cd-Rom, DVD-Rom)
- Liste de diffusion du projet (s’il y a lieu)
- Dossier de presse (s’il y a lieu)
- Enveloppe de retour pré-affranchie
DATE LIMITE: VENDREDI 3 NOVEMBRE 2006
Les projets seront évalués par le comité de programmation en décembre prochain.
Espace Vidéographe
À l’attention de Sylvie Roy
460, rue Sainte-Catherine Ouest, Bureau 504
Montréal Québec CANADA H3B 1A7
Téléphone : (514) 866 4720
www.videographe.qc.ca
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13. CALL FOR SUBMISSIONS: 50 YEARS OF CONCRETE POETRY (Uruguay)
Deadline:November 10, 2006; Source: Clemente Padin
[versión española sigue]
This invitation is directed not only to the great community of visual poets of the whole world but and above all to specialists and lovers of poetry. At the end of this year, 2006, we will celebrate 50 years of the birth of one of the most important tendencies of visual poetry of the world: we refer to Concrete Poetry.
In December, 1956, the historic Art Concrete expositions began in Brazil giving birth to one of the most important artistic movements in the world in the second half of the XX century. The participant poets in those expositions were: Decio Pignatari, Augusto and Haroldo de Campos, Ronaldo Azeredo, Ferreira Gullar and Wlademir Dias-Pino. The first exposition took place in San Pablo, from 4 to 18 December, in the Art Modern Museum (MAM) and the next one was inaugurated in Rio de Janeiro, in February 7, 1957, in the vestibule of the Ministry of Education and Culture of Brazil.
Concrete Poetry arose, simultaneously, in Europe and in Latin American: in 1952 Noigandres group was founded in Sao Paulo; in 1953 the manifesto "For Concrete Poetry" of Oyvind Falström appeared in Sweden and in 1953 "Constelaciones" of Eugen Gomringer, the Swiss-Bolivian poet, secretary of the Superior School of the Form of Ulm, Switzerland, heiress of the German Bahaus, appears in Switzerland. Gomringer and Pignatari were the one who coined the term Concrete Poetry in 1955.
In homage to these outstanding events we invite you to send us notes, commentary, bibliography, photos, poems or documents that remember those historic moments to form a body of knowledge and works in relation to one of the last poetic movements we have known. Send material to Clemente Padin´s email (<mailto:7w1k4nc9@adinet.com.uy>7w1k4nc9@adinet.com.uy). Subsequently, around November 2006, the selected material will be added to BOEK861, the website of Cesar Reglero, at the time of the Colloquium on the 50 anniversary of concrete poetry that will be carried out in the University of Stuttgart, Germany, from 23 to 26 November, 2006.
The pictures and poems should be no larger than 300 KB in JPEG files of high resolution and, the texts on DIN A4, or letter-sized pages in Word files. Deadline for receipt: 10 November 2006.
***
CONVOCATORIA: 50 AÑOS DE LA POESIA CONCRETA
Esta convocatoria está dirigida no sólo a la gran comunidad de poetas visuales del mundo entero sino y sobre todo a los estudiosos y amantes de la poesía. A finales de este año, 2006, se cumplen los 50 años del nacimiento de una de las tendencias de la poesía visual más importantes del mundo: nos referimos a la Poesía Concreta.
En Diciembre de 1956 comienzan las históricas exposiciones de Arte Concreto en el Brasil dando comienzo a uno de los movimientos artísticos de mayor predicamento en el mundo en la segunda mitad del siglo XX. Los poetas participantes en aquellas exposiciones fueron: Decio Pignatari, Augusto y Haroldo de Campos, Ronaldo Azeredo, Ferreira Gullar y Wlademir Dias-Pino. La primer exposición se realiza en San Pablo, del 4 al 18 de Diciembre de 1956, en el Museo de Arte Moderna (MAM) y la segunda se inauguró en Río de Janeiro el 7 de Febrero de 1957 en el zaguán del Ministerio de Educación y Cultura del Brasil.
La Poesía Concreta surge, simultáneamente, en Europa y en Latinoamérica: en 1952 se funda el grupo Noigandres en São Paulo; en 1953 aparece el manifiesto "For Concrete Poetry" de Oyvind Falström en Suecia y en 1953 aparece en Suiza "Constelaciones" de Eugen Gomringer, poeta suizo-boliviano, secretario de la Escuela Superior de la Forma de Ulm, Suiza, heredera del Bahaus alemán. Fueron precisamente Gomringer y Pignatari quienes llaman Poesía Concreta en 1955 al naciente movimiento poético.
En homenaje a tan destacados eventos le invitamos a enviar, a Clemente Padin, por email (<mailto:7w1k4nc9@adinet.com.uy>7w1k4nc9@adinet.com.uy), toda nota, comentario, bibliografía, foto, poema o documento que recuerde aquellos sucesos y contribuya a formar un cuerpo o summa de conocimientos y obras en relación a una de las últimas corrientes poéticas que hemos conocido. Posteriormente, hacia Noviembre 2006, el material seleccionado será incorporado a la website BOEK 861 de César Reglero coincidentemente con la realización del Coloquio sobre el nacimiento de la poesía concreta que se realizará en la Universidad de Stuttgart, Alemania, del 23 al 26 de Noviembre.
Las imágenes no podrán sobrepasar los 300 KB en archivos JPEG de alta resolución y, las notas, las 5 páginas DIN A4, en archivos Word. Fecha límite de recepción: 10 de Noviembre 2006.
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14. CALL FOR SUBMISSIONS: "Hanging Around" Off limits festival (Germany)
Deadline: November 15, 2006; Source: on the move Newsflash 08/2006
This is a call to artists of all types to participate in a project 'Hanging Around', organised by artscenico in Dortmund/Ruhrgebiet, Germany in 2007 as part of the off limits festival. starting with a photo ... ending up with a performance
CALL FOR ARTISTS 'Hanging around'
from photo to performing arts
artscenico project, starting with a photo ending up with performance.
For ARTISTS of all kinds who want to be part of the project
- taking photos of people hanging around – either in their social environments or where ever all across the world
- taking photos as the basis of a work of literature, drama, dance, performance-art or theatre
Application Procedure
- Send a “letter of intention” to artscenico@t-online.de together with address etc.
- brief concept
- jury will choose photos for first exhibition in 2006 in Dortmund.
- we will choose photos for transformations
- Decision about photos for exhibition in the Ruhrgebiet in 2007 as part of the international festival off limits in Dortmund. Presentation of performances and texts based on the photos.
You can be a photographer and author/performer as well, for a story leading to the situation seen on the photo or leading into the future. If you make interviews about their “hanging around” with the people you take photos of, those are basis for transformation.
Off limits
Güntherstraße 65
D-44143 Dortmund
Artistic director: Rolf Dennemann
In cooperation with artscenico eV
www.artscenico.de
Deadline: November 15th 2006
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15. CALL FOR SUBMISSIONS: aluCine Toronto Latin@ Media Festival
Deadline: January 15, 2007; Source: aluCine
aluCine Toronto Latin@ Media Festival is now accepting film/video installation submissions for the 2007 festival, which will take place from May 31st to June 9th, 2007.
We accept single channel film/video installations and the final deadline is January 15th 2007
Submission Requirements:
-One page synopsis of the work
-Contact info (including address, e-mail and telephone number)
- A brief biography of the artist and list of previous works/awards
-Complete production credits
-3 Images that represent the work (300 dpi): Label images clearly with your name and the title of the work. Good stills can make a difference in press coverage and promotion.
-VHS (NTSC) or DVD – if applicable
Please send us your submission by email to:
media@alucinefestival.com
or
Mail to:
aluCine Toronto Latin@ Media Festival
"Video Installations"
90 Oxford Street – Suite # 8
Toronto – M5T 1P3
ON – Canada
aluCine has become the ideal showcase for Latin American and International Visual Artists in Toronto.
Please check our website www.alucinefestival.com to find information about our last year’s exhibition Uncontrolled Reflections.
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16. CALL FOR PARTICIPANTS: "The 15th Performance Art Conference: NYEPI" - E. P. I. Zentrum (Bali)
Deadline: not given (Event Date: March 20, 2007); Source: Boris Nieslony
The 15th Performance Art Conference
NYEPI
The realization of ability “to be an angel” for any one
Nyepi, Bali’s Day of Silence - Nyepi 2007 - take place March, 20. 2007.
There is a curfew during every New Year’s celebration on Bali.
All evil spirits shall be irritated by the means of this “Day of Silence”.
Concept
° Performance-Artists worldwide will be invited to participate in the 24 hour event "Nyepi“.
There are two optional ways to participate:
a – The artists travel to Bali and will realize the event together with the artists from Indonesia and/or other present visitors and participants of the project at any chosen location there. It will be a lieu in the country because the whole city life will be completely disrupted. No production – no discussion – just be quiet and less in movements as possible.
b – Worldwide. The participating artists will realize this 24 hour happening in their home country, during a journey, at the place of their present being, alone or together with others. This can as well take place within any other project, while being on a vacation or in any other way. Thus any potential lieu worldwide, where the participating artist stays.
This event will and shall be isochronous.
For example 0:00 a.m. on the 20th of March in Bali equals 4 p.m. on the 19th of March in the UK and 11a.m. in New York on 19th of March.
° A website to document the event will be established. Only the names of the participating artist and names of the locations will be published there. No explanation, no depiction – simply the names and the place. This will be provided by ASA-European / E.P.I. Zentrum.
Philosophic Facts
° Man has only the choice between understanding and action, between insufferable truth and playful humbuggery, as long as he does not finalize, what he - with the help of his proud achievements hectically operates: the end of the historic process, that means his downfall, or if granted, the beginning of the past-historic era.“ Cioran
Slow down, renew, standstill, the quiescence worldwide during one single day, calm via slightest movement.
°John Cage: „The music that I focus on, does not have to be called music. Nothing exists within this music, that has to be remembered. No themes, just activity of tone and silence.”
° Charron noted down, that he recognized more brouhaha and turmoil in Florenz within the last ten years, then within the last 500 years in Graubünden, and concluded, that a polity can only endure, when it is possible, to “quiet and ease the spirit”.
° August 29th, in 1952, the American pianist David Tudor performed the world premiere of a new composition in New York. He sat down at the grand piano, closed the lid, persevered exactly 4 minutes and 33 seconds at his instrument and then opened the lid again.
Transformation of traditions - to become tradition.
That the idea and cultural traditions of "Nyepi“ shine from Bali all over the planet.
That this day shall be performed annually, representing the first intercultural day of all the peoples of the world.
That „Nyepi - 2007” shall be transformed from a genuine artistic project to a cultural project.
That all peoples of the world are invoked, to anchor and legitimate this day within their catalogue of constitutional laws
(or to anchor it under their various existing forms of written constitutional laws, etc..).
That individuals are found, who delve into the further development of this project in their countries.
Nyepi
On Nyepi day itself, every street is quiet - there are nobody doing their normal daily activities. There is usually Pecalangs (traditional Balinese security man) who controls and checks for street security. Pecalang wear a black uniform and a Udeng or Destar (a Balinese traditional “hat” that is usually used in ceremony). The Pecalangs main task is not only to control the security of the street but also to stop any activities that disturb Nyepi. No traffic is allowed, not only cars but also people, who have to stay in their own houses. Light is kept to a minimum or not at all, the radio or TV is turned down and, of course, no one works. Even love making, this ultimate activity of all leisure times, is not supposed to take place, nor even attempted. The whole day is simply filled with the barking of a few dogs, the shrill of insect and is a simple long quiet day in the calendar of this otherwise hectic island. On Nyepi the world expected to be clean and everything starts anew, with Man showing his symbolic control over himself and the “force” of the World, hence the mandatory religious control.
E.P.I. Zentrum / ASA-European
Boris Nieslony
Boltensternstrasse 16 V6
D - 50735 - Köln
<http://www.asa.de>www.asa.de / <http://www.epi-zentrum.org>www.epi-zentrum.org
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17. RESIDENCY: "TAOH Residency" (Norway)
Deadline: not indicated Source: Tou Scene
An opportunity for performance based artists to spend up to 2 weeks in Stavanger city, Norway at Tou Scene, a centre for contemporary arts.
TAOH residency provides an alternative art space promoting underground art works by performance artists, anarchists,subvertors, activists; you define it by what you do. There are no fees available but you are welcome to stay free of any charges for a period up to 2 weeks.
Tou Scene is converted from an old brewery to a thriving Art Centre. It is situated right next to the sea in beautiful surroundings. With the help of the architect firm Helen&Hard, the building still maintains the raw data of its history and layers of construction is still visible. There are plenty of opportunities to make site-specific work as the building still houses original tanks and equipment. The building officially opened 29th of April 2005 and despite its short history it houses the biggest Electronica festival of the Nordic countries and numerous other festivals and activities.
A turquoise bunk bed was donated by the artist group G.U.N Ladies from Oslo. They have donated similar bunkbeds in 5 other cities and this residency therefore has a network in Riga, Valencia, Rotterdam, Åbo, and New York. The bunkbed is now placed in a project- room; 25m2 with a garage door accessing an outdoor area. It has access to toilet, shower and small kitchenette in a neighbouring building, primitive standard-high quality opportunities. The room is in the midst of several permanent artists studios. An artist lead group runs the TAOH residency. We do not hold any equipment but can assist you in terms of guiding you to cheap equipment hire.
The primary goal for the residency is to help the exchange of artists that choose to work with questions of Live Art,New Media and time based practices. You will be welcome to show work-but this is optional. We do however expect you to hold a self-presentation for the artists resident at Tou Scene.
APPLICATION FORM
Name:
Your preferred dates of stay:
Your interest in performance art:
Artistic practice - CV:
Web address/contact details:
Please send to:
TAOH Residency / Anne-Marte Eidseth Rygh,
email: annemarte@touscene.com
+47 920 23 095.
TOU SCENE: Lervigsva 22, access by Kvitsøygata 4993, Stavanger, Norway
Check out The Art Center Tou Scene at www.touscene.com
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18. WORKSHOPS: Fiona Griffiths
Dates: September 23 - October 3, 2006; Source: Fiona Griffiths
Fiona Griffiths returns to Toronto and offers three colourful workshops for your fall artistic musings.
KINETICS WEEKEND/06
Moving from the inside out $175.00
SEPTEMBER 23 & 24 10am-6pm
at the Dancemakers Studio, The Distillery District,
55 Mill St., Building #58, Studio # 313
Lets get grounded!! featuring those delectable feet and luscious legs. Release accumulated tension in the deep tissues of the feet and free the joints and arches to spring up into the body. Next, calves and thighs are massaged with slightly bigger balls and slowly moved to rediscover the way the legs moves themselves
KINETIC AWARENESS is an holistic training system developed by New York dancer/choreographer, Elaine Summers, and is great work for anyone interested in movement research. Lying on small air-filled balls, placed under or near the area to be explored; release techniques are incorporated, encouraging muscles to relax. As the anatomy is visualized and the body/mind reconnects, the area can be explored at a deeper and more constructive level. Experimenting with small slow movements releases tensions stored in muscles and joints and leads to improved posture and joyful movement.
KINETIC AWARENESS has 5 phases leading from awareness through movement to choreography. Many universities all over the world have Kinetic Awareness in their dance and theatre programs.
SOURCEWORK Details from the work $250.00
September 29, 6-10pm
September 30 & October 1, 10am-6pm
Space: Dovercourt House, 805 Dovercourt Rd., 2nd floor
Sourcework is an accumulation of techniques for intensive performer training. Grotowski/Putnam/Pochinko based; this formalized curriculum explores sources for artistic expression inherent in the body/mind. A way of working that requires honesty, immediacy and rigorous attention to detail. This work studies impulse and what can be done to embrace, edit and/or block those creative urges.
My version of this work is divided into three sections: present yourself/take me into your world/leave me transformed. Featured work will be from the 'present yourself' curriculum and depending on participants needs, may include: Plastiques & corporals, Authentic Movement, emotional wheels, see the image/say the image/in the reporting style, my life in 2 minutes in gibberish, take stage/give stage, exits & entrances, single impulse poems.
RIVERS WORKGROUP Drop-in $40.00
Tuesdays, September 26 & October 3, 6-10pm
Space TBA
For those with river experience; an opportunity do a river or two of your choice. A list of rivers will be available with set ups. There will be a post river discussion and time for questions and one-on-one conversation.
TAKING MULTIPLE WORKSHOPS REDUCES YOUR TOTAL FEE BY $50.00!!
FIONA GRIFFITHS has an MFA in creative process and open media and an extensive performing and teaching experience in
dance, clown and theatre. She studied and taught with Richard Pochinko and Linda Putnam and was Artistic Director of the
Theatre Resource Centre in Toronto. Fiona has taught in the graduate theatre programs of York and Yale Universities, with many theatre companies and coaches actors, dancers and clowns in movement and source work. Presently living in Victoria, Fiona teaches regularly at Toronto Dance Theatre and at the Clown Farm on Manitoulin Island.
To register, contact Fiona Griffiths <filogriff@yahoo.ca>
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19. EVENT: "Trust Us, We're Artists" 14th Annual Junction Arts Festival
Date: September 9 - 10, 2006; Source: Milena Placentile
Featured Artists: Tejpal S. Ajji (Toronto), Ulysses Castellanos (Toronto), Kirsten Forkert (Montreal / Malmo), and Jessica MacCormack & Hazel Meyer (Montreal) Curated by: Milena Placentile
Saturday September 9 & Sunday September 10, 2006 Noon - 6 pm
The Junction, Toronto
Dundas St. West from Keele Street to Quebec Avenue
Communities are more than collections of individuals; they are the product of the various exchanges and relationships that individuals and groups cultivate each day. These relationships influence all sorts of transactions, including ones that are social, economic, political, spiritual, ethical, and administrative, and they affect the experiences that define our quality of life.
"Trust Us, We're Artists" (TUWA) is a program of performance-based interventions by five Canadian artists who are interested in issues concerning civic space, social interaction, communication, and behaviour. It is a program that strives to explore the many ways artists can contribute to the development of community life, particularly with regard to how creative thinking can encourage new perspectives. To highlight the importance of relationships within urban environments, TUWA offers a variety of projects that rely on dialogue, physical engagement, and trust as a means of encouraging participants to abandon obstacles to communication, new experiences, and spontaneous fun. Accordingly, the featured performances are interactive, and all visitors to the Junction Arts Festival are welcome to get involved.
The Junction Arts Festival is planned and organized by The Junction Forum for Arts and Culture - a local non-profit organization dedicated to promoting the arts.
For more information contact:
Milena Placentile
milena@shintai-z.com
http://www.junctionartsfest.ca
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20. MEETING: Status of the Artist legislation in Ontario
Date; September 21, 2006; Source: ARCCO
On Thursday, September 21st, 2006, Rosario Marchese, Member of Provincial Parliament for Trinity Spadina, will be hosting a meeting for artists in his riding to discuss the need for Status of the Artist legislation in Ontario.
Due to the pressure put on the Liberals by artists and arts organizations in 2002 and 2003, the McGuinty Liberals promised to introduce Status of the Artist legislation if elected. Three years later &Mac246; we are still waiting!
It is essential that artists receive the same protection afforded to other workers in Ontario through legislation that addresses their real needs. We all know cultural workers contribute a great deal while receiving so little in return. It is time we pressure the McGuinty Liberals to deliver on their promise. Artists and cultural workers shouldn&Mac226;t have to wait any longer!
MPP Rosario Marchese Invites You!
Let us together create a strategy to force the Liberals to keep their promise!
When::Thursday, September 21, 2006 at 7pm
Where:: OCAD, Great Hall (Ontario College of Art & Design), 100 McCaul Street
Special Guest Performance by the Richard Underhill Quartet
Call Melissa at 416-603-9664 for further details and to RSVP
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21. NEWS: McGill-Queen's University Press launches Radical Gestures: Feminism and Performance Art in North America
Source: McGill-Queen's University Press
Radical Gestures: Feminism and Performance Art in North America
Jayne Wark
Paper 0773530665 (9780773530669)
Release date: 2006-08-14
CA $32.95 | US $32.95 | UK £20.99
Order by mail / fax : Order form
Cloth 077352956X (9780773529564)
Release date: 2006-08-14
CA $80.00 | US $80.00 | UK £60.00
Order by mail / fax :(Order form at http://www.mqup.mcgill.ca/book.php?bookid=1998)
6 x 9
304pp
78 photographs
Subjects:
History: Art & Architecture Women's Studies
Performance art was finally recognized as an art form in its own right in the 1970s. In Radical Gestures Jayne Wark situates feminist performance art in Canada and the United States in the social context of the feminist movement and avant-garde art from the 1970s to 2000. She shows that artists drew from feminist politics to create works that, after a long period of modernist aesthetic detachment, made a unique contribution to the re-politicization of art.
Wark brings together a wide range of artists, including Lisa Steele, Martha Rosler, Lynda Benglis, Gillian Collyer, Margaret Dragu, and Sylvie Tourangeau, and provides detailed readings and viewings of individual pieces, many of which have not been studied in detail before. She reassesses assumptions about the generational and thematic characteristics of feminist art, placing feminist performance within the wider context of minimalism, conceptualism, land art, and happenings
Jayne Wark is associate professor, art history, Nova Scotia College of Art and Design.
http://www.mqup.ca
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Fado is pleased to acknowledge the support of the Canada Council, the Ontario Arts Council, the City of Toronto through the Toronto Arts Council and the Department of Canadian Heritage for their sponsorship of our ongoing activities.
You have received this posting because your name is included on the email list of Fado, a non-profit performance art group based in Toronto, Canada. This list posts monthly with information of interest to performance artists and their audiences, including listings and calls for submission, and occasionally with information about Fado events.
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